On Writing: Live. Write. Rinse. Repeat.
Jun. 17th, 2005 08:35 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Over in
debg's LJ we're discussing one-liner advice to writers. Mine was "Be true."
I'm going to go further on that subject at a later date, I think -- possibly on Storytellers. But I'm at a point in the book where the words are resonating, and not in a good way.
See, I have to write a scene. A very emotional, highly charged scene. And in order for me to get the emotion down into the page, I have to drag it up out of me.
To be true.
But that's going to take me to a place I don't want to be, using memories that are painful. Things that hurt. Being true to the emotion -- not shortchanging the reader of the full impact of the scene, as best as I can provide it -- has a cost.
And I'm not sure I want to pay it. Again.
What it comes down to is the question of which is more important: my short-term emotional comfort, or the book.
There's not really any argument. Just a lot of reluctance, until I'm actually there.
And then all I can do is hope that the final scene is worth it.
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I'm going to go further on that subject at a later date, I think -- possibly on Storytellers. But I'm at a point in the book where the words are resonating, and not in a good way.
See, I have to write a scene. A very emotional, highly charged scene. And in order for me to get the emotion down into the page, I have to drag it up out of me.
To be true.
But that's going to take me to a place I don't want to be, using memories that are painful. Things that hurt. Being true to the emotion -- not shortchanging the reader of the full impact of the scene, as best as I can provide it -- has a cost.
And I'm not sure I want to pay it. Again.
What it comes down to is the question of which is more important: my short-term emotional comfort, or the book.
There's not really any argument. Just a lot of reluctance, until I'm actually there.
And then all I can do is hope that the final scene is worth it.